The Lines Between Us by Rebecca d’ Harlingue

This is a dual timeline family saga 17th and 20th centuries in Spain, Mexico and the U.S.A.

Anna is a childless widow. After her husband’s death, she reads his journal and learns things that both comfort and distress her. Although theirs was a marriage of mutual respect and affection, he confided things in his journal which he never confided to her. This is an ongoing theme. In this story, journals provide the bond between generations. They tell the stories of Spain when the Inquisition is still active, colonial Mexico, and three women forced by their times into lives they never would have chosen.

Anna’s brother is a self-absorbed widower who has removed all reminders of his wife from the house and will not allow her name to be spoken, although he puts it about that she died in childbirth. His daughter Juliana is a serious sixteen-year-old. One day, Sebastian, Juliana and Juliana’s duenna disappear. Anna is distraught and although she has seldom travelled, she goes to Sevilla to search for them. At her brother’s house, she found Juliana’s journal and reads it while in Sevilla. When she discovers the horrifying reason for her beloved niece’s disappearance, she abandons the search.

At this point, the narrative fast-forwards to St. Louis in 1992 and Rachel who is at the bedside of her mother, Helen. I have read just a few dual timeline books, but this was a sudden and acute dislocation. I was invested in the Spanish characters and wasn’t ready to leave Sevilla with Juliana’s fate yet unknown.

However… In the moments before her death, Helen mentions Anna and Juliana, people who Rachel has never heard of. Going through her mother’s things later, Rachel finds papers and a journal that have been left specifically to her own daughter. She cannot resist reading and thus establishes a connection to people long dead and has a better understanding of her own mother.

The author has clearly immersed herself in 17th century culture. The voices of the characters are authentic and the prose is one of the best features of the book. Example: ‘I know that our suffering is slight relative to what others have to endure, but weighing sorrow does not lessen pain.’ I found these words particularly moving.

All in all, an excellent book emphasising our connection to the past and with surprises along the way and a shocking ending.

(An odd thing happened shortly after the narrative turned to the modern era. The font became italicised and remained that way until the end. I’m sure this was accidental as I could see no reason for it.)


Rebecca D’Harlingue has studied Spanish literature, worked as a hospital administrator, and taught English as a Second Language to adults form all over the world. The discovery of family papers prompted her to explore the repercussions of family secrets, and of the ways we attempt to reveal ourselves.

She shares her love of story both with preschoolers at a Head Start program, and with the members of the book club she has belonged to for decades. She lives in Oakland, California with her husband, Arthur, where they are fortunate to frequently spend time with their children and grandchildren.

Marian Halcombe by Brenda W. Clough

A Victorian drama set in the mid 19th century. The title character has accepted her spinsterhood, believing she is too plain to attract a husband until widower Theophilus Camlet enters her life. Even then, Marian has difficulty believing love has come her way, especially when the suitor appears to be a perfect match. Eventually, a marriage proposal leads to marriage. When the happy couple returns from their honeymoon, it is to find the first Mrs Camlet installed in the house. I hardly need to say that complications develop from there, and I don’t want to give too much away except to say that Camlet ends up in prison twice.

Marian is her beloved’s staunch advocate, never losing faith in him and never letting anything stand in her way as she pursues the truth. In her endeavours, she is assisted by her sister and brother-in-law who, while doing his best to help, tries to rein in Marion’s rash tendencies. She has a habit of leaping headfirst into situations without giving any thought to her safety or the safety of her unborn child. I did not care for the character of Marian. She seemed to me to be too mannish, as if, in order to create a ‘strong’ female protagonist, the author had written a male character and just changed the clothes and pronouns. She is too assertive, too reckless for a woman of her time. The author did a better job with the gentle sister and the thoughtful, dependable brother-in-law.

I also have to question the subtitle ‘… the most dangerous woman in Europe.’ Nothing in this story, the first of three, suggests Marian deserved that description.

Aside from my dislike of Marian, I found much to like in this book. The writing is so reminiscent of the period, particularly the dialogue but also the narrative. The author has captured the flavour of the era nicely and without long and irrelevant descriptions of clothing. Full marks for that. Also, the plot never lets up. No sooner do the characters begin to believe their problems are over than another wrinkle appears.

On the whole, this is an enjoyable book that kept my interest and I have no hesitation in recommending it.


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